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[sirr 0017 / sirr.ecords (Portugal)]

"Building, installing, recording, amplifying, sound and space, music and architecture, overlap and collide, as a concert that reaches out and incorporates art and audience alike, activating sound and object, buildings and bodies. Such a concert aims to enliven the building process with a bit of humor, a bit of improvisation, a bit of contextual performance, by using the art installation as an instrument for play. Brandon Labelle understands art installation as a meeting point of various forces—sound and building, musicality and conversation, bodies and context — as a way to create unexpected relation: to bring together you and I into a process of meeting, a concert where difference finds its place within the crowd. For the concert pulls into its rhythm the given environment, articulating space through movement, amplifying the presence of others through noise and stillness, unfolding as a play of interaction, of voices and their excitement. Bringing together these installations, as documents of audio and processes of realizing space, has built into it a desire to expand the scene, heighten the dance, to concert further, and reiterate, with a different tongue, the presence of the work: to modulate the volume so as to recognize that which surrounds the object of attention. Brandon LaBelle is a sound artist and writer from Los Angeles. His work with sound installation and performance aims to draw attention to the phenomenal dynamics of sound as it is found within spaces and objects, public events and interactions, language and the body. Through exhibiting and performing his work engages the specific conditions of each space and event, drawing upon architectural anomalies and utilizing found-objects and environmental characteristics in the work itself. Through a performative interaction with materials, found-sound, built electronics and contact microphones, the space is used as a "live instrument". Through this process, the body itself as a sound-emitting object is implicated, drawing the complexities of identity and language into the work. LaBelle's interest in site-specificity reflects a desire to consider the relationship between art and a broader social environment. LaBelle has been actively making sound-related work for the past 8 years, performing and exhibiting in art galleries and museums, as well as unique locations, around the United States and abroad. His work has been featured at the 9th International Symposium of Electronic Arts in Liverpool and Manchester, Sampling Rage Festival in Berlin, the ICA London, Roulette Music in New York, the Arizona State University Museum, and as part of the "Sound as Media" exhibition held at ICC in Tokyo, January 2000. His second CD, "Maps of Tenderness", was released in 1999 on the SELEKTION label from Germany; his recent "Text = CD" CD is a collection of language-based sound-works. He is also the co-editor of the recent publication, "Site of Sound: of Architecture and The Ear", published by Errant Bodies, and curator of the Beyond Music Series at Beyond Baroque Center, Los Angeles.

This product was added to our catalog on Sunday 03 October, 2010.
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