On the back-cover of the new Paul Bradley CD, we see a tourist picture: people standing in a sunny street and when we read that this was recorded in Valencia and Gandia, both in Spain, we may know that this picture is made while recording the field recordings used. At the basis of all Paul Bradley music is the field recording. After that Bradley manipulates the material until is a stretched out piece of drone music and the original source recordings have disappeared. That's why in the early days we thought it was a bunch of synthesizers. However for 'Memories Extranjeras' he has these recordings made in Spain, and he by and large does the thing he always does best but there is a slight difference. The original field recordings are here and there to be heard: at one point the rhythms of a marching band arrive out of a mass of sound and sounded like an odd counterpoint in this music. On other spots we hear the crowd cheering or talking in a reverbing hallway. This 'revealing' of sources is a quite nice new feature in this music. It doesn't add a whole new perspective, nor does it break the good flow in this work, but at the same time, you feel that Bradley is slowly shifting interest towards new paths. I wouldn't be surprised if he switches over one day and reduces the electronic processing in favor of the pure field recording. But that's all for later. For now, Bradley added another fine work of drone music to his already nice discography.