Hand stamped covers with insert. designed by Kallabris.
29 tracks of sheer joie de vivre form this manifesto of musical positivism. Reductionist on their acoustic surface, constructivist in their compositional core, the tracks themselves and in their sequence point to a sociological base: a sociology of sound or a sound sociology driven by the rough necessities of political acoustics. Advanced 4-track tape recording techniques struggle with primitive digital technology, thus forming a class of sound which contains itself as an element and attribute. The sublation of music reveals the revolutionary nature of movement in which its end becomes the condition of its beginning. Yes, beauty may really work differently – but it is necessity that elevates the sound to a static sculpture of dynamics.