{"id":1381,"date":"2021-08-03T09:57:49","date_gmt":"2021-08-03T07:57:49","guid":{"rendered":"https:\/\/www.aufabwegen.de\/events\/?p=1381"},"modified":"2021-08-03T12:59:42","modified_gmt":"2021-08-03T10:59:42","slug":"aufabwegensoundseeing","status":"publish","type":"post","link":"https:\/\/www.aufabwegen.de\/events\/archive\/1381","title":{"rendered":"aufabwegen@Soundseeing"},"content":{"rendered":"\n
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aufabwegen curates two evenings of sound at the Soundseeing festival on August 28th and 29th, 2021. The programme will present a wide range of approaches to sound art and related fields, ranging from noise and drone manipulations to concert-installations, sculptural percussive works and arrangements of real-time field recordings. Participating artists are Aidan Baker, [multer], The Oval Language, Limpe Fuchs<\/strong> and Tomoko Sauvage<\/strong>.<\/p>\n\n\n\n

Soundseeing is a festival\/programme running from March til September 2021 in the area of the M\u00fcnsterland, comprising of concerts, exhibitions, workshops and much more. See the full programme at www.soundseeing.net<\/a><\/p>\n\n\n\n

Below are the details of the aufabwegen@Soundseeing concerts:<\/p>\n\n\n\n

28.08.2021, 20.00h
AIDAN BAKER
THE OVAL LANGUAGE
[MULTER]<\/p>\n\n\n\n

29.08.2021, 18.00h
LIMPE FUCHS
TOMOKO SAUVAGE <\/p>\n\n\n\n

live at
Musikhochschule M\u00fcnster
Ludgeriplatz 1
48151 M\u00fcnster<\/p>\n\n\n\n

Tickets: 15,00 \u20ac (28.08.) \/ 12,00 \u20ac (29.08.)
Only available via pre-sale here:
28.08.
https:\/\/www.localticketing.de\/events\/29424-aufabwegensoundseeing<\/a>
29.08.
https:\/\/www.localticketing.de\/events\/29425-aufabwegensoundseeing<\/a><\/p>\n\n\n\n

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AIDAN BAKER<\/p>\n\n\n\n

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Aidan Baker is a classically-trained multi-instrumentalist playing the electric guitar as his primary instrument. Using prepared and alternate methods of playing the guitar, along with various electronic effects, Baker creates music which generally falls within the ambient\/experimental genre but draws on influences from postrock, shoegaze, electronica, neo-classical, and jazz. A highly prolific artist, Baker has released numerous recorded works, both solo and with various group projects\u2014most notably his dreamsludge duo project, Nadja\u2014and including collaborations with Tim Hecker, Carla Bozulich, Thor Harris, and Gareth Davis, among others\u2014on such independent labels as Gizeh Records, Important Records, Alien8 Recordings, and his own imprint, Broken Spine Productions. A frequent live
performer, Baker has toured extensively around the world, including appearances at such international festivals as FIMAV, SXSW, Incubate, Unsound, and Mutek, to name a few. Originally from Toronto, Canada, Baker currently resides in Berlin, Germany.
Selected Discography:
Aidan Baker – There\/Not There – Consouling Sounds (forthcoming)
Aidan Baker, Simon Goff, & Thor Harris – The Bit – Gizeh Records (forthcoming)
Aidan Baker & Gareth Davis – Invisible Cities II – Karlrecords (lp) – 2020
Aidan Baker – The Forever Tapes – Broken Spine (cass) – 2019
Aidan Baker & Gareth Davis – Invisible Cities – Karlrecords (lp) – 2018
Aidan Baker, Simon Goff, & Thor Harris – Noplace – Gizeh Records (lp) – 2017
Aidan Baker – The Confessional Tapes – Pleasence Records (lp) – 2015
Aidan Baker – Triptychs – Important Records (cd) – 2014
Nadja – Sonnborner – Broken Spine\/Daymare Recordings (lp\/cd) – 2018
Nadja – Queller – Essence Music\/Broken Spine Productions (cd\/lp) – 2014
B\/B\/S\/ – Palace – Miasmah Records (lp) – 2016
Bibliography:
Fugue: Songs of Waking & Weather – Colliding Lines (forthcoming)
Passing Through – Wounded Wolf Press – 2014
Place Name – Wingate Press – 2007
Wound Culture – Unbound Books – 2003
Photo: Aidan Baker
www.aidanbaker.org<\/a><\/p>\n\n\n\n

THE OVAL LANGUAGE<\/p>\n\n\n\n

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1986 – 1987 Neu Rot
(Texte \/ Gesang – Klaus-Peter John)<\/p>\n\n\n\n

The Oval Language
1987 Gr\u00fcndung der Gruppe durch Klaus-Peter John und Frank Berendt.
Anfangs unter den Namen „ME“
ab 1988 THE OVAL LANGUAGE<\/p>\n\n\n\n

Arbeitsweise:
„Durchbruchvibration“ (Katja und Klaus-Peter John)
Vibrationen, Wellen, Stimme-
intensiv zu durchbrechen im Klangbereich schneiden – Selbsteingriff – Klangskulptur EXZESS
Photo: Katja John
www.the-oval-language.de<\/a><\/p>\n\n\n\n

[MULTER]<\/p>\n\n\n\n

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name:
[ MULTER ]
genre:
experimental \/ electronic \/ drone \/ digital \/ analog
instruments:
field-recordings \/ samples \/ modular synth \/ amps + guitar \/ other
location:
Dortmund \/ Germany

Eine klassische Form eines Konzertes darf bei dieser Formation nicht erwartet werden. [MULTER] spielt keine St\u00fccke, sondern sucht Stimmungen, greift sie auf, isoliert, reduziert, verst\u00e4rkt, transformiert sie. Ihre Detektoren sind vielseitig und nach jeweiligem Ermessen sofort einsetzbar: Gitarren, Bleche, H\u00f6lzer, Effektger\u00e4te, Synthesizer, Schlag- und Reibwerke, Samples (die mitunter erst kurz vor oder w\u00e4rend eines Konzertes aufgenommen werden). [MULTER] zieht aus der \u00d6rtlichkeit Energie, macht sie transparent
und gibt sie zur\u00fcck. Die konzeptuelle Vorarbeit ergibt sich aus Grundmustern, die tonal vorproduziert und \/ oder einstudiert sind. Live ergibt sich daraus ein Spannungsbogen, der das Publikum, teils wegen der archaischen Umsetzung, teils wegen der Vielschichtigkeit der \u00fcbermittelten Informationen, nicht unber\u00fchrt l\u00e4sst.
Photo: Karsten F\u00e4hnrich
(incomplete) discography:
https:\/\/www.discogs.com\/de\/artist\/145960-multer<\/a><\/p>\n\n\n\n

LIMPE FUCHS<\/p>\n\n\n\n

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Limpe Fuchs ist bekannt als Klangk\u00fcnstlerin und Komponistin akustischer und visueller Ereignisse. 1941 geboren studierte sie in den fr\u00fchen 60er Jahren zun\u00e4chst Klavier, Violine und Schlagwerk. Unter dem Namen \u201eAnima Sound\u201c betrieb sie zwanzig Jahre lang Klangforschung zusammen mit ihrem damaligen Lebenspartner, dem Bildhauer Paul Fuchs. Diese Kollaboration auch als Anima Musica bekannt, verk\u00f6rperte den Geist der genialen am Rande operierenden Freak Szene der 60er und 70er Jahre und wird oft zitiert als eine der gr\u00f6\u00dften Wegbereiter des Krautrock.
Seit 1989 ist sie als Solistin mit ihrer Klanginstallation unterwegs und als Perkussionistin im Occhio und OOP Quartett.
Kommentar des Komponisten Helmut Lachenmann bei der Tagung in der evangelischen Akademie Tutzing 2001 \u201eKl\u00e4nge und Ger\u00e4usche in der neuen Musik\u201c: \u201eIch bin auf der Suche nach dem Klang, die Limpe Fuchs hat ihn schon gefunden\u201c
Photo: Mia Karic
www.limpefuchs.de<\/a><\/p>\n\n\n\n

TOMOKO SAUVAGE<\/p>\n\n\n\n

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Over the past decade, Tomoko Sauvage (JP\/FR) has been working on \u201cnatural synthesizer\u201d of her invention \u2013 waterbowls – combining water, ceramics and hydrophones (underwater microphones). Porcelain bowls, water drops, waves and bubbles as well as hydrophonic feedback and electronics are the main ingredients of her instrument that generates the sculptural and fluid timbre. Her musical experimentation is grounded on a live-performance-based practice that investigates the improvisation and interaction with the environment – the acoustic space and medium affected by architecture, temperature, humidity and human presence.
Through primordial elements augmented by technology, enlivened by ritualistic yet playful gestures, Sauvage’s work contemplates, tunes and connects with both the material and the immaterial in keeping a fragile balance between hazard and mastery.
Supported by La Pommerie\/ CRAFT (creation of the porcelain bowls, Limousin, France) and Aquarian Audio (Hydrophones, USA)
Born and raised in Yokohama, Japan, Sauvage moved to Paris in 2003 after studying jazz piano in New York. Through listening to Alice Coltrane and Terry Riley, she became interested in Indian music and studied improvisation of Hindustani music. In 2006, she attended a concert of
Aanayampatti Ganesan, a virtuoso of Jalatharangam \u2013 the traditional Carnatic music instrument with water-filled porcelain bowls. Fascinated by the simplicity of its device and sonority, Sauvage immediately started to hit China bowls with chopsticks in her kitchen. Soon her desire of immersing
herself in the water engendered the idea of using an underwater microphone and led to the birth of the electro-aquatic instrument.
Sauvage has published two solo albums including the recent „Musique Hydromantique“ (Shelter Press, 2017). Her compositions have been diffused on radios and TV’s such as BBC, France Musique, NPR, ORF and Deutschlandfunk Kultur. Sauvage’s performance has been presented at
international festivals and venues including : The Long Now – Maerz Musik (Berlin), Centre Popidou Metz, Roskilde Festival, Unsound Festival (Krakow), Nyege Nyege Festival (Uganda), V&A Museum (London), Museo Reina Sofia (Madrid) and Riga International Biennial of Contemporary Art. Her installation work has been exhibited at art centers and museums such as :
Sharjah Art Foundation (UAE), Ex Teresa (Mexico City) and Empty Gallery (Hong Kong). In 2016, she was the artist in residence at Boulder Museum of Contemporary Art (Colorado).
Photo: Benedict Phillips
http:\/\/o-o-o-o.org\/<\/a><\/p>\n\n\n\n

Das m\u00fcnsterlandweite Klangkunstfestival SOUNDSEEING wird erm\u00f6glicht durch die F\u00f6rderung des Ministeriums f\u00fcr Kultur und Wissenschaft, der Kunststiftung NRW, der LWL-Kulturstiftung, der Gelsenwasser-Stiftung und des Kulturamts der Stadt M\u00fcnster. Kultur und Medienpartner sind Kultur West und WDR3.
Tr\u00e4gerin des Festivals: Landesmusikakademie NRW, Heek
Mehr sehen und h\u00f6ren? www.soundseeing.net<\/a><\/p>\n\n\n\n

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Please note that pandemic precautions apply as follows: <\/p>\n\n\n\n

Einlass nur mit tagesaktuellem Negativ-Test oder vollsta\u0308ndig geimpft, oder in den letzten sechs Monaten genesenen. (Nachweis bitte beim Einlass volegen!)
Bitte tragen Sie in der Musikhochschule zu jeder Zeit einen Mund\u2010Nasenschutz, auch wa\u0308hrend des Konzerts.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

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