{"id":199,"date":"2009-12-01T02:14:08","date_gmt":"2009-12-01T00:14:08","guid":{"rendered":"http:\/\/www.aufabwegen.de\/events\/?p=199"},"modified":"2009-12-01T11:00:33","modified_gmt":"2009-12-01T09:00:33","slug":"borbetomagus-runzelstirn-gurgelstock","status":"publish","type":"post","link":"https:\/\/www.aufabwegen.de\/events\/archive\/199","title":{"rendered":"Borbetomagus \/ Runzelstirn &#038; Gurgelstock"},"content":{"rendered":"<p>Fr. 18.12.2009,<br \/>\nEinlass: 20.00h, erstes Konzert: 20.30h<\/p>\n<p>aufabwegen pr\u00e4sentiert:<\/p>\n<p>broken sound#2<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-210\" title=\"bs2_web\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/bs2_web-300x207.jpg\" alt=\"bs2_web\" width=\"300\" height=\"207\" srcset=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/bs2_web-300x207.jpg 300w, https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/bs2_web.jpg 417w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/strong><\/p>\n<p><strong>Borbetomagus<\/strong><br \/>\nFree-Jazz-Noise veterans from the USA<br \/>\n&amp;<br \/>\n<strong>Runzelstirn &amp; Gurgelstock<\/strong><br \/>\n(Schimpfluch Gruppe, CH, dada-noise-shock)<\/p>\n<p>Studio 672\/Stadtgarten<br \/>\nVenloer Str. 40, 50672 K\u00f6ln<\/p>\n<p>Auch der zweite Teil der Reihe \u201ebroken sound\u201c widmet sich akustischen Extremen. Es kommen die Noise Veteranen von Borbetomagus nach K\u00f6ln, die mit ihren Saxophonen eine kakophonische Karthasis ausl\u00f6sen, die eine Welt in tr\u00fcmmern zur\u00fcckl\u00e4sst. Mit Pr\u00e4zision und Wucht fr\u00e4st sich die Gruppe durch Free Jazz Zitate auf der Suche nach dem referenzlosen L\u00e4rm. Zusammenarbeiten mit Voice Crack, Sonic Youth-Mitgliedern oder Peter Br\u00f6tzmann sprechen f\u00fcr sich. Rudolf Eber spielt erstmalig mit seinem Projekt Runzelstirn &amp; Gurgelstock in K\u00f6ln. Der Schweizer lebt seit Jahren in Japan und hat die Extreme der Subkulturen dort inhaliert und in Kombination mit einer starken Hinwendung zu Dada und den Wiener Aktionisten zu einer ganz eigenen L\u00e4rm-Performance mit heftigem K\u00f6rpereinsatz geformt. Eintritt erst ab 18 jahren und auf eigene Gefahr! \u201ebroken sound\u201c wird kuratiert von Till Kniola\/aufabwegen.<br \/>\nbroken sound wird gef\u00f6rdert durch den Ministerpr\u00e4sidenten von Nordrhein-Westfalen, das Kulturamt der Stadt K\u00f6ln und ProHelvetia \u2013 Schweizer Kulturstiftung.<br \/>\n\u00a0\u00a0\u00a0<\/p>\n<p>\u00a0K\u00fcnstlerinformationen:<\/p>\n<p>Borbetomagus<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-201\" title=\"borbetomagus-concert\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/borbetomagus-concert-300x180.jpg\" alt=\"borbetomagus-concert\" width=\"300\" height=\"180\" srcset=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/borbetomagus-concert-300x180.jpg 300w, https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/borbetomagus-concert.jpg 552w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Don Dietrich, Jim Sauter, Donald Miller<\/p>\n<p>Borbetomagus is a trio of Don Dietrich (reeds) Jim Sauter (reeds) and Donald Miller (guitar) and additionally Brian Doherty (electronics) that has existed since the mid-seventies. This is free-improv &#8222;jazz&#8220; of the most extreme nature and its not for the faint hearted, since Borbetomagus create a heavy bone crushing wall of noise. They were working with many artists, including Thurston Moore and the Swiss duo Voice Crack.<\/p>\n<p>Borbetomagus are a free improvisation\/ noise music group. They are cited by critics as pioneers of aggressive improvised noise music.<\/p>\n<p>Biography<br \/>\nBorbetomagus formed in 1979 when saxophone players Jim Sauter and Don Dietrich joined with electric guitarist Donald Miller. Bass guitarist Adam Nodelman was briefly a member, and they have occasionally collaborated with others.<br \/>\nTheir aggressive music has been described as &#8222;a huge, overpowering, take-no-prisoners mass of sound.&#8220;\u00a0 One extended technique they use is called &#8222;bells together&#8220; where Sauter and Dietrich place the bells (openings) of their saxophones against one other while playing.<br \/>\nWhile the core trio listed above has been responsible for most of Borbetomagus&#8217;s music, they have collaborated with Swiss circuit bending duo Voice Crack, Dutch cellist Tristan Honsinger, German double-bassist Peter Kowald, and others. In 2006, they recorded a collaborative album with Hijokaidan live at the Festival de Musique Actuelle in Victoriaville, Canada, and in 2007 their long out-of-print cassette Live In Allentown was released on CD with nearly twice as much material as the original. Sauter and Dietrich have also recorded a duo CD, and a collaborative CD with Sonic Youth guitarist Thurston Moore.<\/p>\n<p>Influence<br \/>\nThey are considered widely influential on the Japanese noise music scene, as demonstrated by the re-release of their limited Live At Inroads cassette on CD by the Japanese label P.S.F. Records, as well as having a CD released by Osaka-based noise label Alchemy Records.<br \/>\nThey have been influential on many American rock, free jazz, and noise musicians, such as Sonic Youth, Pelt, Thomas Ankersmit, and Kevin Drumm. Miller has worked with Pelt; he now resides in New Orleans, where he frequently collaborates live with Rob Cambre and others on E-Bowed guitars.<\/p>\n<p>Discography<br \/>\nBorbetomagus (Agaric, 1980)<br \/>\nWork On What Has Been Spoiled (Agaric, 1981)<br \/>\nIII (Agaric, 1982)<br \/>\nIndustrial Strength (Leo 113, 1983)<br \/>\nBarbed Wire Maggots (Agaric, 1983)<br \/>\nBells Together (Agaric, 1985)<br \/>\nBorbeto Jam (Cadence, 1985)<br \/>\nZurich (Agaric, 1985)<br \/>\nNew York Performances (Agaric, 1986)<br \/>\nSeven Reasons For Tears (Purge 027, 1987)<br \/>\nFish That Sparkling Bubble (Agaric, 1987)<br \/>\nSauter\/Dietrich\/Moore: Barefoot In The Head (Force Exposure, 1990)<br \/>\nSnuff Jazz (Agaric, 1990)<\/p>\n<p><a href=\"http:\/\/www.borbetomagus.com\">www.borbetomagus.com<\/a><\/p>\n<p>\u00a0<br \/>\nRunzelstirn &amp; Gurgelstock \/ Rudolf Eb.er<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-211\" title=\"eber\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/eber-150x300.jpg\" alt=\"eber\" width=\"150\" height=\"300\" srcset=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/eber-150x300.jpg 150w, https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/12\/eber.jpg 327w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>Aktionen &amp; Exhibitions (Auszug)<\/p>\n<p>1985<br \/>\nTeleaktionist &#8211; Z\u00fcrich, Switzerland<br \/>\nConcert &#8222;For Window and Animal Corpses&#8220; &#8211; Bern, Switzerland<\/p>\n<p>1987<br \/>\nMotori(k\/sch) &#8211; Spittal a. d. D., Austria<\/p>\n<p>1988<br \/>\nConcert &#8222;For two Nerve Systems&#8220; &#8211; Z\u00fcrich<br \/>\nReaktionstraining (Aktiv\/Passiv) &#8211; Z\u00fcrich<br \/>\n&#8230;mit Kopf nach unten (Pferdeskalp? Oh Shit \/ Mmm) &#8211; Reykjavik<\/p>\n<p>1989<br \/>\nAbreaktionsspiel &#8211; Z\u00fcrich<br \/>\nSchwein-genanntes Unter-ich (Der Eb.er in Dir) &#8211; Spittal a.d.D.<br \/>\nAktionsjodlerei &#8211; Oithal, Switzerland<\/p>\n<p>1990<br \/>\nErbrechspiel (Vomitplay) &#8211; Z\u00fcrich<br \/>\nAktionen zu Eberdorf (Series)<\/p>\n<p>1991<br \/>\n910512 &#8211; Mama 1 (Reinigungsaktion) &#8211; Z\u00fcrich<br \/>\n911130 &#8211; SN (Essen\/Eating) (kunstszene &#8217;91 Festival) &#8211; Z\u00fcrich<\/p>\n<p>1992<br \/>\n920510 &#8211; &#8222;Aktion mit Bullterrier&#8220; &#8211; K\u00f6lliken<br \/>\n&#8222;Bracul&#8220; &#8211; Aktion \/ Installation (In absence of Rudolf Eb.er) &#8211; Frankfurt, Germany<\/p>\n<p>1993<br \/>\nContribution at &#8222;AVE &#8217;93&#8220; Festival &#8211; Arnhem, Netherlands<br \/>\nKonzert 930227 (w\/ Joke Lanz, Celeste Urech) &#8211; K\u00f6lliken<\/p>\n<p>1994<br \/>\n\u00a0(Part of) labor 8 (Lecture, Performance, Exhibition) &#8211; Z\u00fcrich<br \/>\nAktion &#8222;For two Lovers and Pigbrain&#8220; &#8211; Z\u00fcrich<\/p>\n<p>1995<br \/>\n950901 &#8211; (Con-Dom, C.C.C.C., Schimpfluch-Gruppe) &#8211; Ilan, Taiwan<br \/>\n950908 &#8211; Aktion (Taipei Broken Life Festival) &#8211; Taipei, Taiwan<br \/>\nExhibition at Taipei County Culture Center<\/p>\n<p>1996<br \/>\n960202 &#8211; Aktion (Schimpfluch-Gruppe \/ Nan Quan Collaboration) &#8211; Taipei<br \/>\n960331 &#8222;Triebjagd&#8220; Hospitalization &#8211; Bern<br \/>\nKonzert &#8222;For two Snails and Pap&#8220; &#8211; Z\u00fcrich<\/p>\n<p>1997<br \/>\nAktionistic Concert 970223 &#8211; Paris<br \/>\nExhibition at &#8222;Ear as Eye&#8220; &#8211; Los Angeles, USA<br \/>\nExhibition at the Art-University of Z\u00fcrich<br \/>\nExhibition at &#8222;B&amp;H&#8220; &#8211; Z\u00fcrich<br \/>\n3 Actions 970927 (One in Collaboration w\/ Masonna) &#8211; Osaka, Japan<br \/>\nAktion 971008 &#8211; Okayama, Japan<br \/>\nAktion 971111 (as &#8222;Eb.ersonna&#8220; Collaboration w\/ Masonna) &#8211; Tokyo<br \/>\nAktion &#8222;F\u00fcr Streichquintett und Arschtrompete&#8220; 971206 &#8211; Tokyo<\/p>\n<p>1998<br \/>\nAktion &#8222;For Staplegun and Tapes&#8220; 980214 &#8211; San Francisco, USA<br \/>\nInstallation &#8222;For 10 Human Heads&#8220;, Exhibition &#8211; Tokyo<br \/>\nAktion &#8222;F\u00fcr 3 Ziegenb\u00f6cke \/ For 3 Goats&#8220; &#8211; Taipei<\/p>\n<p>1999<br \/>\nKonzert (w\/ Masami Akita, Kouhei Matsunaga, Masonna) &#8211; Osaka<br \/>\nAktion 990324 &#8222;For disarranged Leg\/Arm Prosthesis&#8220; (w\/ Masonna) &#8211; Tokyo<\/p>\n<p>2000<br \/>\nActing \/ Narration for Movie &#8222;w\/o&#8220;, directed by Kohki Hassai &#8211; Tokyo<br \/>\nAntiaktion 000311 &#8211; Tokyo<\/p>\n<p>2002<br \/>\nAudio-Aktion f\u00fcr WDR &#8211; Germany<br \/>\nAktion &#8222;Erbrechspiel f\u00fcr ein M\u00e4dchen&#8220; 020526 &#8211; Osaka<br \/>\nAktion &#8222;Erbrechspiel mit Schreichor&#8220; 020602 &#8211; Kyoto, Japan<\/p>\n<p>2003<br \/>\nAudio-Aktion f\u00fcr &#8222;Ars Electronica&#8220; &#8211; Linz, Austria<br \/>\nSymposium Teilnahme &#8222;Crashcourse \/ Meine.bank&#8220; &#8211; Berlin, Germany<\/p>\n<p>2004<br \/>\nFurzkonzert 040425 &#8211; Osaka<br \/>\nKonzert 040617 (w\/ John Duncan, Zbignev Karkowski, Kouhei Matsunaga) &#8211; Paris<br \/>\nFurzkonzert 040626 &#8211; Berlin<\/p>\n<p>2005<br \/>\nExhibition (w\/ Yamatsuka Eye, Andy Bolus) &#8211; Osaka<br \/>\nKonzert w\/ Leif Elggren, Tetsuo Furudate 050731 &#8211; Osaka<\/p>\n<p>2006<br \/>\nRadio-Aktion 060503 &#8211; RES FM London<br \/>\nConcert &#8222;For four Chairs&#8220; (Schimpfluch-Gruppe) 060504 &#8211; AA-London<br \/>\nConcert for Spanking 060917 &#8211; Tokyo<\/p>\n<p>2007<br \/>\nKonzert for Spanking 070311 &#8211; Osaka<br \/>\nAudio-Exhibition &#8222;Schlechte Musik&#8220; &#8211; Breda, Netherlands<br \/>\nAktion 070722 &#8211; Christchurch, New Zealand<br \/>\nExhibition and Aktions-Konzert 070811 &#8211; Sydney<br \/>\nRadio-Aktion (w\/Joke Lanz, Raijo Pami), (Radio Centraal) 070815 &#8211; Antwerp, Belgium<br \/>\nAudio-Exhibition &#8222;Schlechte Musik&#8220; 070921-071014 &#8211; Breda, Netherlands<\/p>\n<p>2008<br \/>\nKonzert for Spanking 080209 &#8211; Osaka<br \/>\nShaman-Concert (w\/Mai Sau) 080426 &#8211; Osaka<br \/>\nAudio-Exhibition &#8222;21:100:100&#8220; &#8211; Melbourne<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fr. 18.12.2009, Einlass: 20.00h, erstes Konzert: 20.30h aufabwegen pr\u00e4sentiert: broken sound#2 Borbetomagus Free-Jazz-Noise veterans from the USA &amp; Runzelstirn &amp; Gurgelstock (Schimpfluch Gruppe, CH, dada-noise-shock) Studio 672\/Stadtgarten Venloer Str. 40, 50672 K\u00f6ln Auch der zweite Teil der Reihe \u201ebroken sound\u201c widmet sich akustischen Extremen. Es kommen die Noise Veteranen von Borbetomagus nach K\u00f6ln, die mit [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[116,13,4,118],"tags":[],"class_list":["post-199","post","type-post","status-publish","format-standard","hentry","category-borbetomagus","category-studio672stadtgarten-koln","category-konzert","category-runzelstirn-gurgelstock","entry"],"_links":{"self":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/comments?post=199"}],"version-history":[{"count":5,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/199\/revisions"}],"predecessor-version":[{"id":209,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/199\/revisions\/209"}],"wp:attachment":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/media?parent=199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/categories?post=199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/tags?post=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}