Sa. 29.11.2008,
\nEinlass: 20.00h, erstes Konzert: 20.30h<\/p>\n
aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten #48<\/p>\n
ASMUS TIETCHENS (grey sound matter) &
\nTHOMAS K\u00d6NER (the master of polar ambient!) &
\nHATI vs. PURE (Ritual gongs meet SuperCollider landscapes, PL\/AT) &
\nLEE KWANG GOH (Good vibrations from Malaysia)<\/p>\n
Black Box\/cuba
\nAchtermannstr. 12, 48143 M\u00fcnster<\/p>\n
\nDer Jahresabschluss der ger\u00e4uschwelten ist gewohnt fulminant: vier Konzerte mit unterschiedlichsten Sounds gibt es an einem Abend zu h\u00f6ren. ASMUS TIETCHENS l\u00e4sst die Kl\u00e4nge vor unseren Ohren zerbr\u00f6seln und sich aufl\u00f6sen. THOMAS K\u00d6NER evoziert eis\u00fcberzogene Landschaften und projiziert dazu statische Bilder. Lee Kwang Goh aus Malaysia l\u00e4sst die Beach Boys sich in einem Steinbruch tummeln und in der ungew\u00f6hnlichen Begegnung von Pure mit Hati treffen digitale Knisterein und analoge Ritualgongs aufeinander. Gef\u00f6rdert durch das Kulturamt der Stadt M\u00fcnster und die LAG Soziokulturelle Zentren NW e.V. mit Mitteln des Ministerpr\u00e4sidenten.<\/p>\n
Informationen<\/p>\n
Asmus Tietchens<\/p>\n
3.2.1947 Born in Hamburg, Germany. Thomas K\u00f6ner<\/p>\n Thomas K\u00f6ner attended the music college in Dortmund and studied electronic music at the CEM-Studio in Arnhem. Until 1994 he worked for the film industry as editor and sound engineer. 1965 born in Bochum, Germany Permanent installations: Work in public collections: Commissioned works: www.thomaskoener.de<\/a><\/p>\n Goh Lee Kwang<\/p>\n Born Penang, Malaysia HATI is an audiovisual project\u00a0 based on sound of ethnic instruments from all over the world and hand-made instruments or find objects of scrap metal, plastic and wood. Musicians sometimes use electronic equipments to modulate acoustic sound as well. HATI connects a personal interest in modern improvised and acoustic music with ritual and meditation. Collaborations, side projects and prehistory of HATI:
\n1965 First experiments with tape machines and electronic sound generators (rhytm machines, sine tone generators) and with concrete sounds.
\n1971 Starts working with the Minimoog. Complex results through the use of 8-channel tape devices.
\n1975 Marks the decision, to compose and realize electro-acoustic music „for a living“.
\n1980 First LP-release („Nachtst\u00fccke“) in France, produced by Peter Baumann („Tangerine Dream“).
\n1982 Discovery of stylistic affinity to Industrial Music. LP „Formen letzter Hausmusik“ (1984) is released on the british label „United Dairies“. Through to 1989 numerous LP releases on labels of the international Industrial scene such as Esplendor Geometrico, Hamster Records, Multimood, A-Mission a.o., presenting works with prepared piano, water sounds and various other concrete material.
\n1985 Experiments with the Fairlight CMI.
\n1986 First travels to Brasil to present his work in the form of lecture-concerts uopon invitation by the Goethe-Institute.
\nSince 1989 Teaches sound design, communication design and sound research at the Hochschule f\u00fcr angewandte Wissenschaften Hamburg (HAW).
\n1991 Second concert journey to South America invited by the Goethe-Institute, this time going to Argentinia, Chile and Uruguay.
\nSince 1991 Various CD-releases on international labels such as Staalplaat, Soleilmoon, Selektion, Mille Plateaux and more. Collaborations with other composers of the so-called noise scene like Merzbow, Achim Wollscheid, Thomas K\u00f6ner, Vidna Obmana and more.
\n2003 Awarded the „Karl-Sczuka-Preis f\u00fcr Akustische Kunst“ by S\u00fcdwestrundfunk (SWR).
\n2006 Again awarded the „Karl-Sczuka-Preis f\u00fcr Akustische Kunst“ by S\u00fcdwestrundfunk (SWR).
\nUntil today more than 50 LP- and CD-releases and numerous public performances in Germany and abroad.
\nNo studies, no academic education no scholarships just pure learning by doing = self-taught appropriation of creative skills and handling of analogue and digital studio technology. I am my own Tonmeister.
\nwww.tietchens.de<\/a><\/p>\n
\nHe extended his concept of time and sound colour to images, resulting in video installations, photography and film works. 2000 the Montreal International Festival New Cinema New Media awarded him the „New Media Prize“. 2004 the Prix Ars Electronica awarded him the „Golden Nica“, and he was awarded the „Produktionspreis WDR \/ Deutscher Klangkunst-Preis“ (german sound art award). His media installation „Suburbs Of The Void“ received the Transmediale 2005 award in Berlin and was presented at La Biennale di Venezia, Teatro La Fenice as a live performance in the same year. K\u00f6ners video „Nuuk“ received the Tiger Cub Award (best short film) during the International Filmfestival Rotterdam 2005.His point of departure was composition of sound in which aspects of a performance and visual language were gradually integrated.At first in the collaboration with film artist J\u00fcrgen Reble and the live performance Alchemie (1992). Following this, he started to compose film soundtracks and music to accompany historic silent films for the Louvre Museum and the Mus\u00e9e d’Orsay, Paris. The Rimbaud Museum commissioned Thomas K\u00f6ner five permanent sound installations for five rooms of the „Maison Rimbaud“ in Charleville-Mezi\u00e8res, France.
\nSeveral significant museums acquired his audiovisual works for their collection.<\/p>\n
\n1985-1990 studying electronic music at CEM Studio, Arnhem
\n1987-1992 Conservatory of Music, Dortmund
\n1992-1994 Avid Operator, cutter- and soundassistant, Ruhr Sound Studios, Dortmund
\n1995 \u2013 working as independant artist with sound, installation, film, photography, music, video, theater and radio art<\/p>\n
\nMus\u00e9e Rimbaud \/ Maison Rimbaud, Charleville-M\u00e9zi\u00e8res<\/p>\n
\nCentre Pompidou Mus\u00e9e national d’art moderne Paris, France
\nMus\u00e9e d’art contemporain Montreal, Canada
\nComunidad Pamplona Collection, Spain
\nComunidad Madrid Collection, Spain
\nFundacio La Caixa, Barcelona,Spain
\nSkulpturenmuseum Marl, Germany
\nF.R.A.C. Limoges, France<\/p>\n
\n2008 25th Music Biennale, Zagreb
\n2007 Centro Atl\u00e1ntico de Arte Moderno, Las Palmas
\nMetro Santiago de\u00a0 Chile
\n2004 Mus\u00e9e Rimbaud, Charleville-M\u00e9zi\u00e8res
\n2001 Centre d\u2019art contemporain, Rennes (with yann beauvais)
\n2000 Hayward Gallery, London (with Max Eastley)
\n1998 Mus\u00e9e National d’art moderne, Paris (with yann beauvais)<\/p>\n
\nGoh Lee Kwang (family name Goh) was influences by rock music in general, electro-acoustic improvised music, 20th avant-grade composed music, electronic experimental music as well as visual art, movie & literature. Early in his career he was involved in indie rock music and electronic experimental music; Writing musical articles and essays for various fanzines and newspapers; as well as taking part in art exhibitions.
\nSince 2001 he began making his own music to cdR, most of his early works became the backing music of dance and theater pieces. In 2002 he was selected by international pioneer sound artist Max Neuhaus a grant\/ fellowship at the Akademie Schloss Solitude of Stuttgart, Germany to stay and continue his artistic career in Stuttgart, Germany for 15 months in 2004 to 2005.
\nDuring his stay in Germany, he came up with the S.O.S. (sound of Solitude), a field recording project, on which he recorded the sound surrounding the Akademie, and come out with a more then 3 hours composition without any additional sound source; After Germany, The Netherlands Art Collective „stDSPS“ invited him to stay and develop his work in Rotterdam as guest artist for another 3 months before he returned to Malaysia.
\nIn December 2005, Goh organized his first solo exhibition, \u201cSound, Video, Visual, Media and Installation\u201d, an exhibition cross over the National Art Gallery, private gallery and artist run space in Kuala Lumpur, Malaysia. Then in Jan 2006 Goh was invited to the 1st Sound workshop in New Delhi, India and He was in the Artist-in-residency of Krems, Austria from Jan till end of March 2006.
\nIn 2007 Goh were in the Artist-in-residency of STEIM, Amsterdam, The Netherlands & WORM, Rotterdam, The Netherlands; He is going to have his second solo exhibition in Kuala Lumpur in November 2007, which again will be more then 1 location. In December he will be the artist in residency of Green Papaya, Manila, Philippine.
\nAmong his work were shown at „Look At The Sound“ Reka Art Space 2003, „A.S.S.2004“ Akademie Schloss Solitude 2004, „Klangraum Festival“ Kunstraum Stuttgart 2004, „Film Winter, Media Im Raum“ WKV Stuttgart 2005, „D.I.Y.“ stDSPS, Rotterdam 2005. His multimedia installation „Sing-a-Long“ is the collection of the National Art Gallery in Malaysia.
\nBeside his sound installation & composition, Goh also play live music as an improviser, in 2004 he produced the CD „Internal Pleasures – solo improvisation with stereo DJ mixer“. And supporting the CD, Goh was toured 10 cities in Ireland, Germany, France and The Netherlands, performed in various well-known experimental music\/ sound festivals such as \u201cJazz en Nord\u201d Lille, France, \u201cVer Uit De Maat\u201d Rotterdam, The Netherlands.
\nAnd he second Europe tour called „Europe Vibrations“ in 2007 covering Austria, Sweden, Germany, The Netherlands & France, performed in various festivals such as „New West Electronic Arts & Music Festival“, Berlin & „Festival de Musiques Innovatrices“, Saint-Etienne… His next Europe visit\/ presentation will be in the spring 2008.
\nGoh is also one of the founding members of „n desir studio“ and one of the founders of Experimental Artists Co-op Malaysia (EMACM). „n desir studio“ an alternative multifunctional space in Kuala Lumpur, organized art exhibition, underground music concert, experimental music workshop, international film screening, and as well as using the space as rehearsal space for dance and theater performed. EMACM is a collaborative project dedicated to the facilitation, publication and exposure of creative and experimental works from the region.
\nwww.gohleekwang.tk<\/a>
\nHATI
\ntrance-gong-drone-music<\/p>\n
\nThe band was founded in Torun, Poland, in 2001 by Rafal Iwanski and Dariusz Wojtas. They formed many\u00a0 psychedelic rock and\u00a0 industrial experimental musical\u00a0 projects since the beginning of the 90\u2019.
\nHATI have performed more than 100 concerts in Poland, Germany and Spain and on festivals (e.g. Audio Art Festival in Krakow, 2006;\u00a0 Festival Muzyka w Krajobrazie in Inowlodz, 2004 \u2013 2006; IV and VI Wroclaw Industrial Festival, 2005 and 2007). In\u00a0 2006 members of HATI organized and performed 2 tours with Z\u2019EV, one of the founders of \u2018industrial‘ – the cultural movement. All HATI\u00a0 albums received very good reviews, their unusual magic sound and power was emphasized.\u00a0 Nowadays HATI performs as duo: Rafal SABON Kolacki and Rafa\u0142 X-NAVI Iwanski and ocasionally guest musicians.\u00a0 X-NAVI and SABON are also organizers of CoCArt Music Festival in Torun, Poland.
\nDiscography:
\n– Works for Scrap Metal, 2007, Eter, CD.
\n– Recycled Magick Drones, 2007, Drone Records, 7\u201d vinyl.
\n– Recycled Magick Emissions, 2006, Malachit, miniCD-R.
\n– Zero Coma Zero, 2005, Nefryt, CD-R.
\n– Music for Metal Idiophones, 2003, Eter, CD-R
\n– Genius Loci, 2003, Eter, CD-R.<\/p>\n
\n– HATI vs. LAL: The Journey Like Never Before…, 2008, Requiem, CD.
\n– HATI vs. Z\u2019EV #1, 2006,\u00a0 Ars Benevola Mater, CD.
\n– Recycled Magick Soundsystem: live, 2006, Eter, CD-R.
\n– Mantra-I: Prehistory of HATI: Vol. 1, (1997) 2006, Eter, CD-R.
\n– 23 IX: Prehistory of HATI: Vol. 2, (1994) 2007, Eter, CD-R.<\/p>\n