![\"\"](\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2010\/10\/GW_57_web.jpg\" "\\"GW_57_web\\"")
<\/p>\nSa. 30.10.2010,
\nEinlass: 20.00h, erstes Konzert: 20.30h<\/p>\n
aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten #57<\/p>\n
KK NULL
\n\u00a0(comsic noise vom ZENI GEVA-Frontmann, Japan)
\n&
\nMICROPHONICS
\n(Fear Falls Burning Ableger mit intimen Gitarrendrones, Belgien)
\n&
\nN
\n(Wirbelsturm aus Amp Noise vom multer Gitarristen, Dortmund)
\n&
\nJOHN WALL
\n(Utterpsalm, London;\u00a0hyperdynamic computer sounds)<\/p>\n
<\/p>\n
Black Box\/cuba
\nAchtermannstr. 12, 48143 M\u00fcnster<\/p>\n
Die 57. Folge der Ger\u00e4uschwelten kreist um die Gitarre. Der japanische Noise-K\u00fcnstler KK NULL ist zun\u00e4chst als Gitarrist der Hardcore Band ZENI GEVA bekannt geworden, bevor er sich in seinen Soloarbeiten der Elektronik widmete. Er wird \u201ecosmic noise\u201c pr\u00e4sentieren, ohne Gitarre, aber mit einer imagin\u00e4ren Verbeugung vor dem Instrument. Microphonics ist das Projekt des Belgiers Dirk Serries, der als Fear Falls Burning mit Powerdrones f\u00fcr Furore gesorgt hat. Microphonics stellt das intime Setting von E-Gitarre und Amp in den Vordergrund und leuchtet es in \u00fcberraschenden Facetten aus. Der Dortmunder Gitarrist Hellmut Neidhardt geht ebenfalls von dieser Formel aus, sprengt aber die Grenzen des Klangs. Er ist an flirrenden Frequenzen, krachigen Ausbr\u00fcchen und brutzelnden Nebenger\u00e4uschen Interessiert \u2013 genau diese komponiert er zu seinen monolithischen Drones. John Wall ist ein\u00a0im positiven Sinne kauziger Einzelg\u00e4nger, der zwar einen Laptop einsetzt, dessen ultra dynamische Tonmanipulationen und Raster-Entw\u00fcrfe allerdings garantiert ungew\u00f6hnlich und einzigartig sind.
\nGer\u00e4uschwelten wird gef\u00f6rdert durch das Kulturamt der Stadt M\u00fcnster und die Ministerpr\u00e4sidentin des Landes Nordrhein-Westfalen.
\n\u00a0<\/p>\n
Weitere Informationen\/Infoline & Bildmaterial KK NULL<\/strong><\/p>\n KAZUYUKI KISHINO\u00a0<\/p>\n Born\u00a0 in\u00a0 Tokyo,\u00a0 Japan,\u00a0 1961.\u00a0 Electro-acoustic\u00a0 music\u00a0 composer\/performer, and guitarist, singer, mastermind of avant-garde rock band ZENI GEVA. Microphonics<\/strong><\/p>\n Most people will typically associate the set-up of one man and his guitar with folk music. For microphonics, however, dirk serries, the creative force behind vidnaObmana and Fear Falls Burning, has his mind set to different horizons. N<\/strong><\/p>\n N arbeitet mit dem Moment, mit dem Eindruck des Ortes, mit dem, was die Inspiration bewirkt. N arbeitet seit 1997, dem Gr\u00fcndungsjahr des seitdem existierenden Projekts [MULTER] (mit Mal Hoeschen und Thomas Geiter) auf dem Gebiet experimentelle Gitarrenmusik. Im Gegensatz zu der Arbeit mit [MULTER], die analoge und digitale Arbeit und Verarbeitung verbindet und seit der Gr\u00fcndung in bisher 14 Tontr\u00e4gern ver\u00f6ffentlicht hat, vermeidet N alle Formen von cut + paste und ver\u00f6ffentlicht ausschlie\u00dflich Aufnahmen, die vollst\u00e4ndig live entstanden sind. Ziel ist es, die Frische und Tiefe der Musik einzufangen, wie sie nur im Moment der Inspiration entstehen kann. Seit 2001 sind bisher 8 N Tontr\u00e4ger auf verschiedenen europ\u00e4ischen Labels erschienen, die meisten davon auf dem von N bevorzugten Tontr\u00e4gerformat Vinyl mit einem konzeptuellen aufeinander aufbauenden Artwork, das die Stimmung des musikalischen Inhalts illustriert.<\/p>\n Im Rahmen von Live Auftritten verwendet N ausschlie\u00dflich das oben genannte Setup. Backingtapes, Rechner oder vorgefertigte Loops werden nicht benutzt.<\/p>\n www.n-1511.com<\/a> N(1)\/Segment \u201ekarnap\u201c 7\u201c JOHN WALL<\/p>\n John Wall (born 1950) is an autodidact electronic composer whose contribution to the field is widely noted by critics of new music [1]. His work has moved from early plunderphonic compositions – where he brought together unlikely combinations of musical genres to create fantastical new works \u2013 to large scale works composed of thousands of tiny fragments which create the impression of virtual orchestras. Critics have remarked on \u201chis extraordinary feeling for musical narrative\u201d which is achieved through a working method that has been described as \u201cphenomenally painstaking\u201d [2]. According to one critic, Wall\u2019s \u201creleases sound like the most finely crafted audio sculptures, somewhere between the contemporary composition of Lachenmann and the experiments of early laptop musicians of the mid 90s. Sa. 30.10.2010, Einlass: 20.00h, erstes Konzert: 20.30h aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten #57 KK NULL \u00a0(comsic noise vom ZENI GEVA-Frontmann, Japan) & MICROPHONICS (Fear Falls Burning Ableger mit intimen Gitarrendrones, Belgien) & N (Wirbelsturm aus Amp Noise vom multer Gitarristen, Dortmund) & JOHN WALL (Utterpsalm, London;\u00a0hyperdynamic computer sounds) Black Box\/cuba Achtermannstr. 12, 48143 M\u00fcnster Die 57. Folge […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[135,159,4,160,14,161],"tags":[],"class_list":["post-319","post","type-post","status-publish","format-standard","hentry","category-john-wall","category-kk-null","category-konzert","category-microphonics","category-blackboxcuba-cultur-munster","category-n-n","entry"],"_links":{"self":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/comments?post=319"}],"version-history":[{"count":8,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/319\/revisions"}],"predecessor-version":[{"id":356,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/319\/revisions\/356"}],"wp:attachment":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/media?parent=319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/categories?post=319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/tags?post=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\naufabwegen\/Till Kniola
\nTel.: 0221-2720055 – Fax.: 0221-2720056
\nE-Mail: zipo@aufabwegen.com<\/a>
\n\u00a0
\nInformationen<\/p>\n![\"\"](\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2010\/10\/kknull.jpg\" "\\"kknull\\"")
<\/p>\n
\n\u00a0
\nIn\u00a0 1981\u00a0 studied\u00a0 at\u00a0 Butoh\u00a0 dancer,\u00a0 Min\u00a0 Tanaka’s\u00a0 „Mai-Juku“\u00a0 workshop and started performing guitar\u00a0 improvisation in Tokyo, and collaborated with MERZBOW for two years, and joined the band YBO2 (with\u00a0 Tatsuya Yoshida, drummer of RUINS) and started the improvized rock trio ABSOLUT NULL PUNKT (with\u00a0 Seijiro Murayama, the original drummer of Keiji Haino’s FUSHITSUSHA).
\n\u00a0
\nIn the 90’s ZENI GEVA released five albums produced by STEVE ALBINI. Also recorded twice for JOHN\u00a0 PEEL SESSION on BBC, and immensely toured throughout Europe, USA, Australia, New Zealand and Japan, playing hundreds of concerts.
\n\u00a0
\nAll the while, KK NULL has been working on his solo career and collaborated with other musical\u00a0 innovators from all over the globe such as CHRIS WATSON (UK), Z’EV (USA\/UK), JOHN ZORN (USA),\u00a0 FRED FRITH (USA\/UK), MATMOS (USA), KEIJI HAINO (Japan), JON ROSE (Australia), PHILIP\u00a0 SAMARTZIS (Australia), ALEXEI BORISOV (Russia), ZBIGNIEW KARKOWSKI (Poland) to
\nname a few, and has been invited to perform at prestigious international festivals. Especially, KK NULL\u00a0 has been invited by GRM (Le Groupe de Recherches Musicales) to perform at Presences \u00c9lectronique in Paris, France successively 2008 and 2009.
\n\u00a0
\nIn recent years KK NULL has concentrated his efforts on his solo & collaborative recordings, exploring the\u00a0 outer territories of electronica, creating intense clashing wave of noise, structured electro-acoustic ambience, broken down rhythmics, scattered itch sculptures, droning isolationist material, which could be\u00a0 described „cosmic noise maximal\/minimalism“.
\n\u00a0
\nwww.kknull.com<\/a><\/p>\n![\"\"](\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2010\/10\/microphonics.jpeg.jpg\" "\\"microphonics.jpeg\\"")
<\/p>\n
\nEquipped with nothing but a gibson les paul and a few effect pedals, he turns clubs, artgalleries, unusual performance sites and concert houses into intimate spaces of sonic echoes and shimmering overtones. Allowing for the music to grow from the moment, each performance is unique and makes full use of the ambiance and acoustic characteristics of a venue. You can see serries ‚capturing‘ his own reflections and sending back replies, twisting and turning his guitar to shape the air around it. Ranging from tender, minimal ambient pieces to disturbing cinematic soundscapes, his tracks are based on slowly evolving themes which gradually combine into melancholic\u00a0melodies and gracefully flowing harmonic patterns. Microphonics is all about drawing the full potential from a reduced instrumentation – evoking associations with electronica, avant-garde and improvisation alike.
\nDirk Serries (born 1968 in Antwerp, Belgium) has been an active and influential player in the independent experimental music scene since 1984. Since then, he has released over 50 albums, both as a solo artist or in collaboration with highly respected collagues. Musical partners over the years have included minimal electronica masterminds Asmus Tietchens and Kenneth Kirschner, Steven Wilson of progressive rock band Porcupine Tree, ambient pioneer Steve Roach and drone master Alio Die as well as Steve von Till of extreme metal band Neurosis and Justin K. Broadrick.
\nSerries‘ music has been issued by international labels from the most diverse corners of the music scene: while Projekt, Multimood, Soleilmoon and Hypnos have mainly focussed on his ambient work, Relapse and Conspiracy Records have highlighted his more guitar-driven productions.
\nFor the highly personal Microphonics project, he has signed to dutch specialist label Tonefloat with its penchant for luxuriously designed vinyl editions. With his various projects, serries has toured extensively across the globe and gained recognition for his uncompromising, clear and unique version of experimental music.
\ndiscography :
\nmicrophonics I-V (180gram vinyl lp+ cd, tonefloat 2008)
\nmicrophonics VI (180gram one-sided lp, tonefloat 2009)
\nmicrophonics VII (180gram one-sided lp, tonefloat 2009)
\nmicrophonics XII (tour edition 10\u201d, tonefloat 2010)
\nwww.microphonics.com<\/a><\/p>\n
\nUnabh\u00e4ngig vorhergehender Planungen und \u00dcberlegungen entsteht so eine Musik, die sehr pers\u00f6nlich, sehr \u201einnen\u201c und sehr Ausdruck ist.
\nN-Ver\u00f6ffentlichungen beziehen sich auf reale Orte, die sich im Namen der (durchnummerierten) Tontr\u00e4ger wieder finden.<\/p>\n
\nN verwendet daf\u00fcr ein Gitarre-zwei-Verst\u00e4rker-Setup mit einer Kette von Effektger\u00e4ten als verbindendes Element und l\u00e4sst so eine Musik basiert auf warmer Tiefe entstehen; mal loopartig zur\u00fcckhaltend und zerbrechlich, mal wie ein Unwetter die H\u00f6rer \u00fcberrennend.<\/p>\n
\nwww.multer.info<\/a>
\nDiskografie N<\/p>\n
\nN(2) \u201ebergen\u201c 2LP
\nN(3) \u201eseeregen nmx\u201cSamplerbeitrag
\nN(5) \u201cbergen: skizzen + notizen\u201d LP
\nN(6) \u201eparinda\u201c Samplerbeitrag
\nN(8) \u201etrischen\u201c LP
\nN(10)\/Mirko Uhlig \u201esanddorn\u201c 7\u201c
\nN(13) \u201eprora\u201c LP<\/p>\n![\"\"](\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2010\/10\/johnwall.jpg\" "\\"johnwall\\"")
<\/p>\n
\nwww.utterpsalm.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"