{"id":55,"date":"2009-05-20T09:46:39","date_gmt":"2009-05-20T07:46:39","guid":{"rendered":"http:\/\/www.aufabwegen.de\/events\/?p=55"},"modified":"2009-05-20T09:53:31","modified_gmt":"2009-05-20T07:53:31","slug":"gerauschwelten-festival-cologne","status":"publish","type":"post","link":"https:\/\/www.aufabwegen.de\/events\/archive\/55","title":{"rendered":"Ger\u00e4uschwelten Festival Cologne"},"content":{"rendered":"<p>Do. 04.06.2009,<br \/>\nEinlass: 20.00h, erstes Konzert: 20.30h<br \/>\nTickets: 12 &amp; 10 Euros<\/p>\n<p>aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten Festival<\/p>\n<p>MICHEL HENRITZI + JUNKO<br \/>\n\u00a0(the screaming voice of HIJOKAIDAN meets french improv guitar player)<br \/>\n&amp;<br \/>\nCOLUMN ONE<br \/>\n(90%Wasser, aufabwegen, Berlin: dada-performance)<br \/>\n&amp;<br \/>\nSTR\u00d8M<br \/>\n(Bern, CH Bassklarinette und Live-Elektronik)<br \/>\n&amp;<br \/>\nHERIBERT FRIEDL<br \/>\n(nonvisualobjects, ultra-minimal digital ambience)<\/p>\n<p>Stadtgarten<br \/>\nVenloer Str. 40, 50674 K\u00f6ln<\/p>\n<p>Die n\u00e4chste Ausgabe der Ger\u00e4uschwelten-Reihe ist zu einem Festival ausgewachsen; welches verschiedensten Str\u00f6mungen der Ger\u00e4uschmusik ein Forum gibt.\u00a0 Besonders gespannt sein darf man auf die Deutschland-Premiere des Duos Michel Henritzi an der Gitarre und Junko, die Kreisch-Performerin und Frontfrau der japanischen Noise Band Hijokaidan. Column One, das Dada-Kollektiv aus Berlin, wird eine Multimedia-Performance pr\u00e4sentieren, welche das Publikum \u00fcberraschen wird. Das Schweizer Projekt Str\u00f8m wird seine pulsierende Klangfl\u00e4chen mit Klarinette und Elektronik auf die B\u00fchne bringen und der \u00f6sterreichische Musiker Heribert Friedl wird fragile Soundminiaturen aus seinem Laptop zaubern. Ohren auf! Ger\u00e4uschwelten wird gef\u00f6rdert durch das Kulturamt der Stadt K\u00f6ln und ProHelvetia \u2013 Schweizer Kulturstiftung.<br \/>\n\u00a0\u00a0\u00a0<\/p>\n<p>K\u00fcnstler-Informationen<\/p>\n<p>MICHEL HENRITZI + JUNKO<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-56\" title=\"henritzi_junko\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/05\/henritzi_junko-200x300.jpg\" alt=\"henritzi_junko\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/05\/henritzi_junko-200x300.jpg 200w, https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/05\/henritzi_junko-682x1024.jpg 682w, https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/05\/henritzi_junko.jpg 800w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>JUNKO \u201cSleeping Beauty\u201d Elevage de Poussi\u00e8re. EPP09 LP<\/p>\n<p>In October 2002, I met the Japanese noise band Hijoka\u00efdan&#8217;s singer whose name is Junko and that came after having abruptly listened to &#8222;No Paris, No harm&#8220; (album issued on the Alchemy label) about fifteen years sooner in an importing record shop. A record of such a radical exotism that it made tip up entire sections of my record collection directly into pop anecdotism, a literal rip of the hearing as, deeply tattooed in the wax,\u00a0 there was standing up this danger which was called, \u00e0 corps et \u00e0 cris, by the wild boys from London, Paris, Tokyo or Detroit. A black hole was growing up and what a good place to fall in. 1969, 1977 &#8211; back to the future -, a sleeping beauty torn from their scars as a wide\u00a0 opened wound to our times.<br \/>\nAn incarnated scream into the fragile body of this woman standing in front of us, on the other side of the glass of the recording studio cabin. A smile &#8211; cut &#8211; her voice as if it was switched &#8222;on&#8220;, she looks lost in her swallow holes but is doing it easy as she was just snapping her fingers. She seems yet impassive and still when facing the microphone as if she was detached from her scream, out of reach, as if her voice was unglued and apart from a body leading its own story. Screams, howlings from her expulsed voice as an &#8222;out of&#8220; but into the night and the brouillard of noise. A looped scene from an horror film, her opened mouth filling the frame, long scream &#8211; cut &#8211; black. An hysterical no-diva reeling off a story about the unspeakable for some unspeakable monsters might have filled her childish nightmares, if not why these screams?<br \/>\nSuch a fucking poetry of the gap, something very close to Yoko Ono&#8217;s orgasmic vocalisations, to Diamanda Galas menstrual glossolalias, to Linda Sharrock&#8217;s sexual negritude. What a free from the ritornello free music, what a totally free chant, so let the listener go through to it and let him free to listen to &#8222;that&#8220;. To that psychanalists&#8217;s id, to the trouble Eros, to the perforated tongue from the pornographic body. It surely takes a lot of perversity to get submitted to that. To that improbable soundtrack from a porno film\u00a0 which would look like some inverted movie, like some black pictures. It surely takes a lot of terror to listen to that voice but you may call it beauty. Because that voice deals with some wonderful confusion (something between pleasure and pain), that indiscernible space due to the man who lays upon a woman. A frightening paroxystical flow. Almost endless quavering deep into the dyslexic monstrous climbing up to inhuman shrills voice, held close by the auditory pain. Her chant as a desiring machine one more time building up some unspeakable, some terror so. A chant coming from the pleased or from the suffering body.<br \/>\nJunko made a poem out of the scream which gets the atom particles speed and its dread too that is grinding both the word and the meaning. Hop ! Got free from the semiotic chain, as the rising of an organless body among the small world of music &#8211; try to imagine the neighbourhood terror &#8211; but imagine that this scream was calling us : did you hear something ?<br \/>\nSince all that, I am listening to Hijoka\u00efdan in a loop for techno has not yet discovered the power of the overthrow from the noise sound but just only its metric, its nights sequencing and its wall paper function. Here it&#8217;s a buoying and final outing of the chill out.<br \/>\nMichel Henritzi (December 2002)<br \/>\ntranslation : Jacques Debout<\/p>\n<p>Michel Henritzi<\/p>\n<p>Michel Henritzi \u2013 guitar, lapsteel, amp, percussions, turntable, walkman, field recordings &#8230;<br \/>\nGuitar played from abstract blues to noise. A tribute to : American primitive music and Enka music, like feedback(s) and shadows.<br \/>\nMember of bands : Dustbreeders (with Yves Botz and Thierry delles) and Howlin\u2019Ghost Proletarians (with Fabrice Eglin)<br \/>\nHad played with : Tetuzi Akiyama, Rinji Fukuoka, Kumiko Karino, Jojo Hiroshige, Junko, Masayoshi Urabe, Chie Muka\u00ef, Tamio Shiraishi, Mico, Yukiko Nakamura, Masafumi Ezaki, Taku Sugimoto, Shin\u2019ichi Isohata, Toshimaru Nakamura, Ito Atsuhiro, Fumio Kosakai, Kiyoharu Kuwayama, Tetsuo Furudate, Ami Yoshida, Mattin, Miguel Prado, Ivar Grydeland, Quentin Dubost, Bruno Fernandes, Nicolas Moulin, Aya Onishi &amp; the Nihilist Spasm Band.<br \/>\nHad played in France, Japan, Switzerland, Belgie, Germany, England, Neederland, Portugal, Spain, Danemark and Ireland.<\/p>\n<p>Discography (Auswahl):<\/p>\n<p>Michel Henritzi, Junko, Masayoshi Urabe &#8222;Ecstasy of the Angels&#8220; CD &#8211; Opposite (usa) 2009<br \/>\nMichel Henritzi &#8222;Shinjuku Blues &amp; Whispering Shadows&#8220;, CDR &#8211; Dyin&#8217;Ghost records (fra) 2009<br \/>\nMichel Henritzi, Junko, Aya Onishi, Rinji Fukuoka &#8222;Live&#8220;, CDR &#8211; Anarchives (fra) 2008<br \/>\nMichel Henritzi, Junko, Mattin &#8222;Je t&#8217;aime!&#8220; CDR &#8211; Absurd (greece) 2008<br \/>\nMichel Henritzi, Shin&#8217;ichi Isohata, Xavier Charles &#8222;duo(s)&#8220; CDR &#8211; o-musubi (japon) 2008<br \/>\nMichel Henritzi, Tetuzi Akiyama &#8222;broken blues&#8220; CDR &#8211; absurd (greece) 2007<br \/>\nMichel Henritzi (feat. Bruce Russell, Taku Unami, Shin\u2019ichi Isohata, Mattin) &#8220; Keith Rowe serves Imperialism &#8220; CD &#8211; wmo\/r (eusk) 2006<br \/>\nMichel Henritzi, Rinji Fukuoka, Kumiko Karino &#8220; Live at U.F.O Club &#8220; DVD- There (japon) 2006<br \/>\nMichel Henritzi \/ Brandon Labelle \/ Minoru sato \/ Guiseppe Ielasi \/ Achim Wollscheid &#8220; Social Music &#8220; Book + CD &#8211; Errant Bodies (usa) 2002<br \/>\nHowlin\u2019Ghost Proletarians &#8220; The Singer &#8220; CDR &#8211; Absurd (greece) 2006<br \/>\nHowlin\u2019Ghost Proletarians &#8220; Dead Roads &#8220; CDR &#8211; Absurd (greece) 2004<br \/>\nDustbreeders \/ Guilty Connector &#8220; Bells &#8220; CDR &#8211; Utsu Tapes (japon) 2003<br \/>\nDustbreeders &amp; Junko &#8220; Mommy Close the Door &#8220; CD &#8211; Starlight Furnitures (usa) 2003<br \/>\nDustbreeders &#8220; Le Proces Cannibal &#8220; LP &#8211; Elevage de Poussi\u00e8re (France) 1999<\/p>\n<p>Column One<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-59\" title=\"columnone\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/05\/columnone.jpg\" alt=\"columnone\" width=\"283\" height=\"212\" \/><\/p>\n<p>Column One<br \/>\n&#8211; gegr\u00fcndet 1992 von Robert Schalinski, Rene Lamp &amp; Eike B\u00f6lling in Berlin als ideologische Basis der Auseinandersetzung mit Strukturen, Philosophien &amp; Medien<br \/>\n&#8211; Rene Lamp &amp; Robert Schalinski arbeiteten bereits in den vorangegangenen Jahren an Kurzfilmen in Potsdam<br \/>\n&#8211; Einfluss auf die Gr\u00fcndung &amp; Arbeit: Jugendlicher Leichtsinn, Radikaler Konstruktivismus, div. Cut-Up Methoden, DADA etc..<br \/>\n&#8211; Mittel: Verwerten, Zerschneiden &amp; Entschl\u00fcsseln von dem, was wir uns als REALIT\u00c4T (tagt\u00e4glich) vorsetzen.<br \/>\n&#8211; Column One operates as collective. Besides the founding members a changing amount of various members circulates from project to project: Jer\u00f4me Soudan (Mimetic), Wojcek Czern (Zia Siodma Gora), Leo Solter (Kein Zweiter, Tornow), Hermann Bohlen, Peter Hollinger, R.U.Brain-Bridge&#8230;<br \/>\n&#8211; Column One is part of Methods To Survive Net.<br \/>\n&#8211; Collaborations with: Artefakt Mag., J\u00fcrgen Ploog, Genesis P-Orridge (Psychic TV, Throbbing Gristle), Tochnit Aleph (No is E etc.), Never Mind The World, Rex Joswig (H.I.P.), Quasister(PL), Pawel Koslowski (Miasto Nie Spalo), Marc Weiser (Rechenzentrum), Silksaw etc.<br \/>\n1991<br \/>\n&#8211; &#8222;Column&#8220; First exhibition with b\/w photography &amp; video installation in Bautzen (D)<br \/>\n1992<br \/>\n&#8211; Andrew Loadman joined the group<br \/>\n1993<br \/>\n&#8211; &#8222;Various Dreamdances&#8220; Performance, Video-installation, Exhibition in Potsdam (D)<br \/>\n&#8211; CO found the label: A.N.Column Release<br \/>\n&#8211; several releases &amp; concerts<br \/>\n1994<br \/>\n&#8211; &#8222;Kriegsschaupl\u00e4tze&#8220; Exhibition, Video-installation, Performance, Festival Potsdam (D) ..feat. Contrastate, Edward Ka-Spel, Netzach, Leo Bullfrog, Za Siodma Gora, Rongwrong, Hafler Trio etc..<br \/>\n&#8211; several releases &amp; concerts<br \/>\n1995<br \/>\n&#8211; &#8222;Das Individuellen Syndrom&#8220; Exhibition, Videoinstallation, Potsdam (D)<br \/>\n&#8211; Column One brought the network METHODS TO SURVIVE<br \/>\n&#8211; CO found the label: Cut-Up-Constructions Rec.<br \/>\n&#8211; several releases &amp; concerts<br \/>\n1996<br \/>\n&#8211; Mr. Brain-Bridge joined Column One as grafic-designer &amp; &#8230;<br \/>\n1997<br \/>\n&#8211; Aurika Kaja of Borrn joined Column One for some concerts<br \/>\n1999<br \/>\n&#8211; Premiere of &#8222;File Under Homo sapiens&#8220; in Berlin &#8211; film by Column One<br \/>\n&#8211; several releases &amp; concerts<br \/>\n2000<br \/>\n&#8211; Artist in Residence in PODEWIL \/ Berlin<br \/>\n&#8211; Video-premiere of &#8222;BRAUNSERVER&#8220; in Berlin<br \/>\n&#8211; &#8222;Electric Pleasure&#8220; &#8211; video-installation, concert, exhibition, Berlin<br \/>\n2001<br \/>\n&#8211; Column One &amp; other artists start &#8222;90%WASSER&#8220; (non-profit) Art-is-t label based in Berlin<br \/>\n&#8211; several releases &amp; concerts<br \/>\n2002<br \/>\n&#8211; J\u00fcrgen Eckloff joined Column One<br \/>\n2004<br \/>\n&#8211; Opening of Die Sibirische Zelle, Berlin<\/p>\n<p><a href=\"http:\/\/www.column-one.de\">www.column-one.de<\/a><\/p>\n<p>STR\u00d8M<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-61\" title=\"strom\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2009\/05\/strom.jpg\" alt=\"strom\" width=\"283\" height=\"199\" \/><\/p>\n<p>Gaudenz Badrutt, Pianist und Elektronikmusiker (*1972) und Christian M\u00fcller (*1971), Klarinettist, elektronischer Musiker und Komponist. Beide studierten an der Hochschule f\u00fcr Musik und Theater Bern\/Biel und sind doppelt diplomiert. Die kontinuierliche und langj\u00e4hrige Zusammenarbeit der beiden Musiker hat zu einer \u00e4usserst pers\u00f6nlichen musikalischen Sprache des Duos gef\u00fchrt. In ihren Performances spiegelt sich im Prozess der Klangsuche eine besondere musikalische Qualit\u00e4t wieder, welche einen auffallend instrumentalen Charakter im Umgang mit elektronischen Mitteln aufweist. Die beiden Bieler Musiker verbinden verschiedene musikalische Ingredienzen: elektro-akustische Improvisation trifft auf Konzeptmusik, Ideen Neuer Musik auf Noise-Ausbr\u00fcche, dichte Klangw\u00e4nde auf minimalistische Klangcollagen.<br \/>\nNeben der Konzertt\u00e4tigkeit im In- und Ausland (u.a. am Taktlos Festival Bern, Norbergfestival, Transmediale Berlin) \u2013 im Duo wie auch mit anderen Musikern (Hans Koch, Martin Sch\u00fctz, Burkhard Beins, Clayton Thomas, Urs Leimgruber, Jacques Demierre, Tomas Korber\u2026) \u2013 bet\u00e4tigt sich str\u00f8m auch im Rahmen von Theatermusik (Stuttgart, Wien, Bern, Dresden, Mainz) und Installationen. 2004 gewannen sie als erstes elektronisches Ensemble den 1.Preis am Concours de Reding, dem Improvisationswettbewerb des Schweizerischen Tonk\u00fcnstlervereins, 2006 verbrachte sie ein Werksemester auf der nordnorwegischen Lofoteninsel Vestv\u00e5g\u00f8y.<br \/>\nHERIBERT FRIEDL<\/p>\n<p>born in Feldbach \/ Austria<br \/>\n1994 &#8211; 1998 University of Applied Art in Vienna<br \/>\nlives and works in Vienna<\/p>\n<p>Heribert Friedl lives in Vienna, and studied sculpture at the University of Applied Arts there. In his exhibitions he has been working with scents and its non visual phenomenons &#8211; sometimes in combination with sounds.<br \/>\nHe has had exhibitions, soundperformances and projects in cities of Hungary, Germany, England, Italy, USA, Cuba and Austria.<\/p>\n<p>After more mp3-releases and albums on labels trente oiseaux and and\/OAR he founded his label nonvisualobjects with Raphael Moser in 2005. The label releases works by such renowned minimalist artists as Steve Roden, Richard Chartier, Roel Meelkop, Bernhard G\u00fcnter, among others.<\/p>\n<p>exhibitions\/concerts\/performances\/releases &#8230;<\/p>\n<p>2008<br \/>\n&#8222;soundscapes&#8220;; laden\/lothringer13, munich, germany<br \/>\n&#8222;soundperformance&#8220;; h\u00f6rbar, freiburg, germany<br \/>\n&#8222;soundperformance&#8220;; cinema obl\u00f2, lausanne, switzerland<br \/>\n&#8222;soundperformance&#8220;; postgarage, graz, austria<br \/>\n&#8222;zeigen. eine audiotour von karin sander&#8220;; kunstverein arnsberg, germany<br \/>\n&#8222;graceful degradation: variations&#8220;; CD-release, sourdine, usa<br \/>\n&#8222;fokus bibliothek. focus library&#8220;; exhibition, stift admont, austria<br \/>\n&#8222;scholarship and soundperformance&#8220;; steim institute, amsterdam, netherlands<br \/>\n&#8222;soundperformance&#8220;; hoet bekaert gallery, gent, belgium<\/p>\n<p>2007<br \/>\n&#8222;TRAC[K]_T&#8220;; CD-release, line, usa<br \/>\n&#8222;portraits of soundartists&#8220;; book+2CD, nvo, austria<br \/>\n&#8222;back (excerpt)&#8220;; on The Wire tapper of the October issue of The Wire (#284)<br \/>\n&#8222;soundperformance&#8220;; elak gala, brut-konzerthaus, vienna<br \/>\n&#8222;surfacesobjects&#8220;; exhibition, galerie im traklhaus, salzburg<br \/>\n&#8222;soundperformance&#8220;; gallery skolska 28, prague, cz<br \/>\n&#8222;alula ton serien&#8220;; soundperformance (+ asmus tietchens), galerie f\u00fcr zeitgen\u00f6ssische kunst leipzig, germany<br \/>\n&#8222;ger\u00e4uschwelten&#8220;; soundperformance (+ asmus tietchens and richard chartier), cuba, m\u00fcnster, germany<br \/>\n&#8222;segmente&#8220;; soundperformance (+ longmo), kunstraum walcheturm, switzerland<br \/>\n&#8222;tonspur&#8220;; nvo_label presentation, museumsquartier, vienna<br \/>\n&#8222;ich f\u00fchle was, was du nicht siehst. kunst zum begreifen&#8220;; exhibition, stift admont, austria<br \/>\n&#8222;ultrahang-festival&#8220;; soundperformance, budapest, hungary<br \/>\n&#8222;GeoPhonoBox: Sonic surveys of Place&#8220;; exhibition, around the coyote gallery, chicago, us<\/p>\n<p>2006<br \/>\n\u201cF\u00f6rderungspreis des Landes Steiermark&#8220;; Neue Galerie Graz (catalogue)<br \/>\n&#8222;back_forward&#8220;; CD-release, nvo, austria<br \/>\n&#8222;trans~&#8220;; CD-release; in collaboration with bernhard g\u00fcnter, nvo, austria<\/p>\n<p>2005<br \/>\n&#8222;bradycard&#8220;; CD-release, nonvisualobjects, austria<br \/>\n&#8222;ataraxia&#8220;; CD-release, trente oiseaux, germany<br \/>\n&#8222;amalgam \/ dale lloyd and various artists&#8220;; CD-release, con-v, spain<br \/>\n&#8222;cascade&#8220;; soundinstallation, leerraum [] progr bern, switzerland<br \/>\n&#8222;garage festival&#8220;; soundperformance, stralsund, germany<br \/>\n&#8222;klangomat&#8220;; kunstmuseum bern\/k\u00fcnstlerhaus solothurn\/leerraum, switzerland<br \/>\n&#8222;on the spur of the moment&#8220;; raum, bologna\/italy<br \/>\n&#8222;mavi[verse]&#8220;; bread &amp; butter fair, berlin<\/p>\n<p>2004<br \/>\n&#8222;Eigensinn und Eigensicht&#8220;; \u00f6sterreichisches kulturforum, prague<br \/>\n&#8222;Eigensinn und Eigensicht&#8220;; altes rathaus, brno<br \/>\n&#8222;21. k\u00fcnstlerbegegung&#8220;; stift st. lambrecht<br \/>\n&#8222;sonic network analysis &#8211; stage01&#8220;; stasisfield<br \/>\n&#8222;de valigia (kunstkoffer)&#8220;; kunstwerk krastal, einoede bei villach<br \/>\n&#8222;Neuerwerbungen f\u00fcr die Sammlung 2002\/2003&#8220;; Neue Galerie Graz<\/p>\n<p>2003<br \/>\n&#8222;wheeling, london &#8222;; cell-project space, London<br \/>\n&#8222;in one room and a half&#8220;; kArton gallery, Budapest<br \/>\n&#8222;audiovisuell&#8220;; te huur 3, Vienna<br \/>\n&#8222;danke f\u00fcr die illusionen&#8220;; grat\/beckmanngasse 52, Vienna<br \/>\n&#8222;EX graz&#8220;; Minoriten Galerien Graz Minoriten<br \/>\n&#8222;wheeling! motorcycles in ar&#8220;t; post gallery \/ los angeles<\/p>\n<p>2002<br \/>\n\u201cNeuerwerbungen f\u00fcr die Sammlung&#8220;; Neue Galerie Graz<br \/>\n\u201ctranscommunication\u201d; dietheater k\u00fcnstlerhaus, Vienna<br \/>\n\u201cBerlinWallPaintings\u201d; artfrankfurt<br \/>\n\u00a0\u201cde valigia\u201d; museum la terra e l\u00b4uomo, Crocetta del Montello (Italy)<br \/>\n\u201cWHEELING! &#8211; Krad Kult Tour\u201d; Galerie Jette Rudolph, Berlin<br \/>\n\u201cwheeling &#8211; motorcycles in art\u201d; Ausstellungsraum de ligt, Frankfurt\/Main<br \/>\n\u201cK.U.L.M.ination\u201d; Kunsthalle Exnergasse Wien, steirischer herbst 2002<\/p>\n<p>2001<br \/>\n\u201cEinsiedler-Vor\u00fcbergehend\u201d; Museum Folkwang Essen (catalogue)<br \/>\n\u201cHeribert Friedl\u201d; Kunstverein Arnsberg (soloshow), (folder)<br \/>\n\u201cinhabiting the border\u201d; Bruce Castle Museum, London<\/p>\n<p>2000<br \/>\n\u201cWurf at home&#8220;; (WURF-Performance), Diagonale 2000, Thalia, Graz<br \/>\n\u201cKulturLOS\u201d; \u00f6ffentliches Projekt, Vienna (catalogue)<br \/>\n\u201chearing #10\u201d; (WURF-Performance), Iftaf, Vienna<br \/>\n\u201cFlower:Art:Show\u201d; Galerie Schafschetzy Studio, Graz<br \/>\n\u201cde valigia\u201d; centro provincial de artes plasticas y diseno, Habana, Kuba<br \/>\n\u201cEigensinn und Eigensicht&#8220;; Galerie Museum auf Abruf, Vienna (catalogue)<\/p>\n<p>1999<br \/>\n\u201cmusic is not art&#8220;; Forum Stadtpark, Graz<br \/>\n\u201cglobal-sculpture-project&#8220;; New York City<br \/>\n\u201chearing #4&#8243;; (WURF-Performance), Iftaf, Vienna<br \/>\n\u201c3000 U\/min &#8211; die drehbare Musikausstellung&#8220;; im Riesenrad, Vienna<br \/>\n\u201cradio helsinki&#8220;; (WURF-Performance), steirischer herbst 99<br \/>\n\u201capartment21&#8243;; Heiligenst\u00e4dterstrasse 123\/21, Vienna<br \/>\n\u201cF\u00f6rderungspreis des Landes Steiermark&#8220;; Neue Galerie Graz (catalogue)<\/p>\n<p>1998<br \/>\n\u201c7 nights gallery&#8220;; Galerie station 3, Vienna<br \/>\n\u201cde valigia&#8220;; Kunstzug f\u00e4hrt durch elf Staaten Europas (catalogue)<br \/>\n\u201cHeribert Friedl&#8220;; Ecksaal des Joanneums, Graz (soloshow)<br \/>\n\u201cDiplomausstellung&#8220;; HS f\u00fcr angewandte Kunst, Vienna<br \/>\n\u201cW\u00fcrst\u00b4lbauten&#8220;; (WURF-Performance), Posthof, Linz<br \/>\n\u201cProjekt-LUFT&#8220;; K.U.L.M., steirischer herbst 98 (catalogue)<br \/>\n\u201ckunst wien 98&#8243;; mit Ausstellungsraum Mezzanin, MAK, Vienna<br \/>\n\u201cKompression&#8220;; Schallautzerstra\u00dfe 4, Vienna<\/p>\n<p>1997<br \/>\n\u201cFischhalle&#8220; (WURF-Performance); ehem. Alpenmilchzentrale, Vienna<br \/>\n\u201cvier x\u00b2 + vier x\u00b3&#8220;; Ausstellungsraum Mezzanin, Vienna (folder)<br \/>\n\u201cgruppenaufnahme&#8220;; Museumsquartier Halle D, Vienna<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Do. 04.06.2009, Einlass: 20.00h, erstes Konzert: 20.30h Tickets: 12 &amp; 10 Euros aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten Festival MICHEL HENRITZI + JUNKO \u00a0(the screaming voice of HIJOKAIDAN meets french improv guitar player) &amp; COLUMN ONE (90%Wasser, aufabwegen, Berlin: dada-performance) &amp; STR\u00d8M (Bern, CH Bassklarinette und Live-Elektronik) &amp; HERIBERT FRIEDL (nonvisualobjects, ultra-minimal digital ambience) Stadtgarten Venloer Str. 40, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-55","post","type-post","status-publish","format-standard","hentry","category-allgemein","entry"],"_links":{"self":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/comments?post=55"}],"version-history":[{"count":4,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/55\/revisions"}],"predecessor-version":[{"id":58,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/55\/revisions\/58"}],"wp:attachment":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/media?parent=55"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/categories?post=55"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/tags?post=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}