{"id":753,"date":"2012-10-30T11:43:54","date_gmt":"2012-10-30T09:43:54","guid":{"rendered":"http:\/\/www.aufabwegen.de\/events\/?p=753"},"modified":"2012-10-30T11:50:34","modified_gmt":"2012-10-30T09:50:34","slug":"gerauschwelten-66","status":"publish","type":"post","link":"https:\/\/www.aufabwegen.de\/events\/archive\/753","title":{"rendered":"Ger\u00e4uschwelten #66"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-764\" title=\"GW_66_front_web\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2012\/10\/GW_66_front_web.jpg\" alt=\"\" width=\"201\" height=\"283\" \/><\/p>\n<p>Sa. 10.11.2012,<br \/>\nEinlass: 20.00h, erstes Konzert: 20.30h<\/p>\n<p>aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten #66<br \/>\n<span style=\"color: #ff0000;\">!!! zum letzen Mal !!!<\/span><\/p>\n<p><strong>ROSS PARFITT<\/strong><br \/>\n(Discrete sound events by this ex-member of Hood &amp; Vibracathedral Orchestra, UK)<br \/>\n&amp;<br \/>\n<strong>LUC KERLEO<\/strong><br \/>\n(Sculptured electronics, F)<br \/>\n&amp;<br \/>\n<strong>LUIGI ARCHETTI<\/strong><br \/>\n(Minimal digital compositions, CH)<\/p>\n<p>Black Box\/cuba<br \/>\nAchtermannstr. 12, 48143 M\u00fcnster<\/p>\n<p>Mit der Folge 66 endet die Konzertreihe Ger\u00e4uschwelten, die 1997 mit einem Konzert von John Duncan begann. Drei verschiedene Spielarten der Ger\u00e4uschmusik werden zum Abschlu\u00df Reihe pr\u00e4sentiert. Ross Parfitt steht f\u00fcr den Ansatz des forschenden Musikers. Mit seinem Background als Schlagzeuger in \u201cechten\u201d Bands ist er vor allem an den M\u00f6glichkeiten der Erweiterung herk\u00f6mmlicher Instrumentalkl\u00e4nge interessiert. Sein Schlagzeug weint mit ihm. Luc Kerleo steht f\u00fcr eine skulpturalen Ansatz: er arbeitet vor allem als Klangk\u00fcnstler, der Installationen realisiert. In Konzerten \u00fcberf\u00fchrt er die Materialit\u00e4t seiner Skultpuren in rein klangliche Ereignisse durch direktes Ablauschen der Materialoberfl\u00e4chen \u2013 Metall, Glass und Stoff klingen. Luigi Archetti hat aus dem Improv-Jazz ins Fach der Computermusik gewechselt und schreibt minimal pulsierende, karg ausgeleuchtete St\u00fccke. Ger\u00e4uschwelten wird gef\u00f6rdert durch das Kulturamt der Stadt M\u00fcnster, den Beauftragten der Bundesregierung f\u00fcr Kultur und Medien sowie durch den deutsch-franz\u00f6sischen Fond f\u00fcr zeitgen\u00f6ssische Musik \/ Impuls neue Musik. Der Auftritt von Luigi Archetti wird gef\u00f6rdert von Pro Helvetia \u2013 Schweizer Kulturstiftung.<\/p>\n<p>www.aufabwegen.de<br \/>\nwww.blackbox-muenster.de<\/p>\n<p>Informationen<\/p>\n<p>LUC KERLEO (FR)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-758\" title=\"kerleo\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2012\/10\/kerleo.jpg\" alt=\"\" width=\"189\" height=\"283\" \/><\/p>\n<p>from signal to space<br \/>\nI act as a sculptor. I work with moving and instable things like sound, electricity, mechanical movements, liquids and gaz, thoughts. I mainly work with sound for two reasons. First, compared to visual,\u00a0 sound is a discrete manifestation. Thus I consider one of my\u00a0 preoccupations which is to make people feel a thought without having\u00a0 to recover and hide a part of reality with objects which blocks up\u00a0 or invade the viewing field. Furthermore by listening reality I\u00a0 develop thoughts and reflexion structures which complete our\u00a0 cultural perception of what surrounds us, this perception which on a\u00a0 cultural aspect is mainly based on the visual. Notably the sounding\u00a0 requires us to consider not only what is in front of us but also,\u00a0 and equally, what surrounds us. But then the stake for me is the\u00a0 same than for artists acting in visual. Since it is about\u00a0 representing what surrounds and constitutes us. History and\u00a0 actuality of visual arts (painting, sculpture, installation,\u00a0 drawings, performances) constitute the territory to which I refer\u00a0 and in which I move around. Because they are bridges between\u00a0 thinking and action in reality.<br \/>\nFoto: Luc Kerleo<\/p>\n<p>ROSS PARFITT (UK)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-759\" title=\"Parfitt_web\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2012\/10\/Parfitt_web.jpg\" alt=\"\" width=\"247\" height=\"283\" \/><\/p>\n<p>Ross Parfitt is interested in simple physical processes and their potential for complex musical outcomes. He has previously hung drums from the roof, tipped a kit off the stage and played a cymbal until he cried.<br \/>\nHe was a member of Hood and Vibracathedral Orchestra.<br \/>\nFoto: Ross Parfitt<br \/>\n<a href=\"http:\/\/rossparfitt.wordpress.com\" target=\"_blank\">http:\/\/rossparfitt.wordpress.com<\/a><\/p>\n<p>LUIGI ARCHETTI<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-760\" title=\"archetti_web\" src=\"https:\/\/www.aufabwegen.de\/events\/wp-content\/uploads\/2012\/10\/archetti_web.jpg\" alt=\"\" width=\"246\" height=\"164\" \/><br \/>\n1955 born in Brescia, Italy, lives and work in Z\u00fcrich.<br \/>\nArtistic activity as a musician, composer in the areas: experimental and electro-acoustic music<br \/>\nAs visual artists in the areas painting, drawing, installation (partial also sound-installations) and video<br \/>\nMusic &amp; Other Projects (selection)<br \/>\nSince 1994 with Bo Wiget (cello and Electronics) as duo Archetti\/Wiget<br \/>\nConcerts and tours by Europe and Japan; three CD \u201eLOW TIDE DIGITALS I &#8211; III \u201cfrom the duo appeared on the label rune Grammofon, Oslo.<br \/>\nTheir films to its music I HAVE SEEYOU BETTER DANCING THAN THIS (2007) and BESTES DEUTSCHES MUSIKVIDEO (2008) received at the 53. and54. International Kurzfilmtagen Oberhausen 2007 and 2008 the renowned MuVi price, the films were pointed to numerous film festivals (Lisbon, Lausanne, Canada, South Korea, U.K and the USA).<br \/>\n2012 CD SILENT SURFACE II with the bass player Jan Schlegel, label Unit Records, Switzerland.<br \/>\n2011 Solo-double-cd NULL II &amp; NULL III, label: Die Schachtel, Milano.<br \/>\n2010 solo CD NULL on the label \u201eDie Schachtel\u201c, Milano.<br \/>\n2008 solo CD FRAGMENTS ON SLOWLESS, SPEED AND TEDIUM<br \/>\n2006 with Meg Stuart &#8211; Damaged Good company in Vienna and Salzburg<br \/>\n2005 solo CD FEBRUAR Unit record, CH<br \/>\n2004 solo CD TRANSIENT PLACES, unit record, CH.<br \/>\n2004 various music video performance in the Kunsthalle Zurich, Kunsthalle Winterthur and in Barcelona.<br \/>\n2001 order for composition (scholarship) of Pro Helvetia.<br \/>\nSince 1983 implementing of various projects &#8222;Kunst und Bau.<br \/>\nFoto: Luigi Archetti<br \/>\n<a href=\"http:\/\/www.luigiarchetti.com\" target=\"_blank\">www.luigiarchetti.com<\/a><\/p>\n<p>Flyer: Robert Schalinski<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sa. 10.11.2012, Einlass: 20.00h, erstes Konzert: 20.30h aufabwegen pr\u00e4sentiert: Ger\u00e4uschwelten #66 !!! zum letzen Mal !!! ROSS PARFITT (Discrete sound events by this ex-member of Hood &amp; Vibracathedral Orchestra, UK) &amp; LUC KERLEO (Sculptured electronics, F) &amp; LUIGI ARCHETTI (Minimal digital compositions, CH) Black Box\/cuba Achtermannstr. 12, 48143 M\u00fcnster Mit der Folge 66 endet die [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,258,242,10,259],"tags":[],"class_list":["post-753","post","type-post","status-publish","format-standard","hentry","category-konzert","category-luc-kerleo","category-luigi-archetti","category-cuba-cultur-munster","category-ross-parfitt","entry"],"_links":{"self":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/comments?post=753"}],"version-history":[{"count":8,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/753\/revisions"}],"predecessor-version":[{"id":763,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/posts\/753\/revisions\/763"}],"wp:attachment":[{"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/media?parent=753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/categories?post=753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aufabwegen.de\/events\/wp-json\/wp\/v2\/tags?post=753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}