{"id":1193,"date":"2024-07-08T14:49:00","date_gmt":"2024-07-08T12:49:00","guid":{"rendered":"https:\/\/www.aufabwegen.de\/label\/?p=1193"},"modified":"2025-11-30T14:54:49","modified_gmt":"2025-11-30T12:54:49","slug":"1193","status":"publish","type":"post","link":"https:\/\/www.aufabwegen.de\/label\/archive\/1193","title":{"rendered":"aatp95 – Paul Sch\u00fctze – Topology of a Quantum City CD"},"content":{"rendered":"\n
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A U F A B W E G E N RELEASE INFO<\/p>\n\n\n\n

CD \/ DL
release date: 08.07.2024
artist: PAUL SCH\u00dcTZE
title: Topology of a Quantum City
order no.: aatp95
Label code (LC): 01291
time: ca. 50 mins
carton digifile sleeve using images by Paul Sch\u00fctze, designed by Christa Marek. With contributions from Daniel Pe nnie, Philip Brophy, Dirk Wachteelaer and Bill MacDonald. 300 copies.<\/p>\n\n\n\n

Price: 14,00 \u20ac vinyl\/10,00 \u20ac digital
Available here:
CD via aufabwegen-mailorder<\/a>
Digital via bandcamp<\/a><\/p>\n\n\n\n

Ambient pioneer Paul Sch\u00fctze creates new material from his \u201cMaps of Hell“ sessions
 
Topology of a Quantum City<\/strong>
A couple of years back, during a period of frequent relocation, and with no permanent studio set up, I came across the original DAT parts of a project I completed in 1992 just before I moved from Australia to The UK. The sessions for New Maps Of Hell evolved out of a rhythm track I\u2019d built in my studio. I was (and still am) fascinated the twin, revolutionary, 70\u2019s phenomena of electric jazz (Miles, Hancock, Williams, Priester) and Krautrock (Can, Faust, Tangerine Dream). I was trying as a solo artist to navigate a route into these worlds and this single track felt closer than I\u2019d so far got.This rhythm became the foundation for several sessions at the ABC\u2019s studios in Melbourne from which that album emerged. It was the first time I\u2019d assembled a group of players for a solo project and the first time  I\u2019d allowed the inevitable element of chance arising from essentially improvised contributions. 
Nowadays, armed with Logic and Dropbox, the proposition of high quality multi tracking and mixing contributions from around the globe is comfortably achievable with a laptop the size of a magazine so I fell to rebuilding the central piece from that album from its original component parts, sending that \u201cspine\u201d to the various contributing players and then performing the kind of surgery I\u2019d never had the time or budget to consider three decades earlier. 
Daniel\u2019s contributions in particular had a pronounced shaping affect on the piece as it grew. With multiple passes, ingested into the mix as we ping-ponged files for a month or so, each step bought new tonalities and unexpected harmonic light and shade. Dirk\u2019s radical rethinking of the rhythm blew the structure open, inviting multiple levels of dynamic detail. Finally Bill (the only player present on the original recording ) carved a new bass part, providing the elastic anchor that acts as the sensual counterpoint to my machine tempos.
The two additional pieces have a newer origin, one with Philip\u2019s drum parts as the starting impetus around which I constructed a kind of melodic breath, laying multiple guitar lines into counterpoint as Daniel sent them over, the second by atomising and refracting familiar gestures over a rolling machine rhythm  Both hold to the sound pallet of my 70\u2019s passions while making full use of current mixing automation and manipulation. I hope they feel like a temporal cross pollination to those familiar with their roots and perhaps a lure into a period of unheard riches to those who\u2019re yet to have that pleasure\u2026
Paul Sch\u00fctze
Amorgos
2024 <\/p>\n\n\n\n

About Paul Sch\u00fctze<\/strong>
Paul Sch\u00fctze was a member of seminal australian experimental collective Laughing Hands. In the late 1980ies he started a prolific solo career that has placed him among the top artists in the field of ambient and electronic music. Paul Sch\u00fctze has been active not only as a musician and composer but has also worked in the fields of photography, film and video art, site specific installations, painting, curational work and perfume design. His work has been exhibited or performed internationally in museums, galleries and festivals. He has produced numerous sound tracks for experimental film works. Major audio releases have been Deus Ex Machina (1989), The Rapture of Metals (1993), Apart (1995) and Fell, together with Andrew Hulme of O Yuki Conjugate (1996). Paul Sch\u00fctze is also noted for his long running collaboration with artist James Turell.<\/p>\n\n\n\n

www.paulschutze.com<\/a>
<\/p>\n\n\n\n

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