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Geräuschwelten #59

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Fr. 01.04.2011,
Einlass: 20.00h, erstes Konzert: 20.30h

aufabwegen präsentiert: Geräuschwelten #59

RAPOON
(ex-Zoviet France, UK, hypnotic ambient loops)
Nachholtermin vom 03.12.2010!!
&
TETSUO FURUDATE
(Theatrical noise from Japan)
&
THE PRETERITE
(cassette bounces from Dortmund)

Black Box/cuba
Achtermannstr. 12, 48143 Münster

Die 59. Folge der Geräuschwelten bringt einen der Wegbereiter des Industrial zum einzigen BRD-Auftritt 2011 nach Münster: Robin Storey aka RAPOON. Storey war Mitbegründer der legendären Formation Zoviet France, die mit geräuschhaft angereicherten rhythmischen Tracks das Genre der Industrial Music mit prägten. Als Rapoon macht Storey seit Mitte der 1990er Jahre loopbasierte Tracks, die oft Elemente außereuropäischer Musikkulturen inkorporieren. Nachdem sein Auftritt am 3.12.2010 dem Schneechaos zum Opfer fiel, holen wir das Gastspiel heute nach, nicht verpassen! Außerdem gibt es die Münster Premiere des Musikers Tetsuo Furudate, der bereits eine Noise-Oper (sic!) geschrieben und sehr viele Theatermusiken komponiert hat. Entsprechend Theatralisch sind seine Auftritte: jaulende Synthklänge, Gitarre und gestenreicher Kreischgesang. Abgerundet wird der Abend mit einem Kassetten-Ploing-Experiment des in Dortmund lebenden Exilamerikaners Jim Campbell, aka The Preterite. Es verspricht ein bunter Abend zu werden! Geräuschwelten wird gefördert durch das Kulturamt der Stadt Münster.

 

RAPOON

Biography: Robin Storey. Aka Rapoon.
For almost 30 years now Storey has been releasing music recognized worldwide as innovative and influential. Firstly as a founder member of the groundbreaking and much lauded band Zoviet France and latterly as the solo multimedia artist and collaborator Rapoon.
From 1979-1992 Storey was a co-founder member of Zoviet France and was personally responsible for much of the music and imagery associated with the band during the period that is seen as their most productive and influential. From 1992 to the present day Storey has released a huge back catalogue of
recordings and gained an international reputation as an experimental artist/musician in his own right.
Storey trained as a fine artist from 1973-1977 and gained his degree: BA hons: Fine Art from Sunderland School of Art in 1997. (Despite this being a fine art degree Storey also managed to study and train as an avant garde composer during these years under the tutelage of Dave Pinder, a contemporary modernist composer. He then trained and eventually taught, as a printmaker and graphic artist at Charlotte press workers co-operative in Newcastle Upon Tyne.(1977-1989) Graphic art and printmaking were defining elements in the early Zoviet France releases which included hand made sleeves with strong graphic imagery. From 1979 to 1994 Storey worked as a fulltime and freelance audio/visual technician for local AV companies . During this time he learned skills such as rostrum camera work , video editing and slide animation . All of these skills were transported into his own visual work and incorporated into his artistic output. From 1979- 1994 Storey exhibited his visual work widely and internationally. These included touring exhibitions of the former USSR and the USA. Post 1994 Storey concentrated on his musical output and has to date released almost 40 solo recordings as Rapoon and numerous other collaborations and side projects including Reformed Faction with Mark Spybey and Hank and Slim with Nigel Ayers.
www.rapoon.net

TETSUO FURDATE

Born in Tokyo. Started his career in experimental firm and video art in 1981.From middle of 80′s,he gradually turned into music through performing art,contributing to the development of the Japanese noise music in its early period with other pioneers such as Merzbow. He spreads his activities over Europe since 1998,with many concerts not only CD releases,corroborating with Zbigniew Karkowski,Kasper T. Toeplitz and Leif Elggren. He achieved the premier show of his newest experimental noise opera,”Othello”,at Podwil in Berlin in 2001.He stayed in Berlin as a artist residence of Podewil in 2003. During them he had premieres of “Wozzeck” at Podewil in Berlin and “Auditory Sence of Mr.Roderick Usher” at Dresdner Zentrums für zeditgenössische Musik (DZzM) in Dresden. “Auditory Senced….”won the BLAUE BRÜCKE prize 2003. He has collaboration works with Achim Wollscheid, Lillevän, Akemi Takeya, Sigrid Schnückel and …. Numerous live performances at festivals and venues all around the world.

Discography (Ausschnitt):
1992 “L’arrét de mort”(SSE communications 8005)
1994 “Macbeth”(SSE communications)
1995 “Autrement qu’étre” (Les Disques du Soleil et de l’Acier 54040)
1997 “World as Will”with Zbigniew Karkowski (Staalplat STCD 133)
1998 “Neon Green”with Kasper Toeplitz (Les Disques du Soleil et de l’Acier 54060)
2000 “(x).x is not a man or x is mortal”(God Factory)
“Autrement qu’étre II”(Les Disques du Soleil et de l’Acier 54064)
2001 “OTHELLO”(Les Disques du Soleil et de l’Acier 54077) with Leif Elggren
2002 “World as Will II” with Zbigniew Karkowski (23five Incorporated)
2004 “for the mother and the father” (simlog 018)
2006 “World as Will III” with Zbigniew Karkowski (Sub Rosa)

websites
www.tetsuofurudate.info

THE PRETERITE (USA/D)

The Preterite ist das Alter Ego des in Dortmund lebenden US-Amerikaners Jim Campbell. Campbell hat über mehrere Jahre hinweg erfolgreich in der Diaspora Dortmund einen Abend unter dem Motto „bender bender“ im Domizil gestaltet – ein offenes Forum ein Mal im Monat für experimentelle elektronisches Musizieren. Ab 2011 konzentriert sich Campbell stärker auf das eigene Schaffen und tritt heute erstmalig in Münster auf. Er arbeitet stark entlang verfremdeter und zerstörter Rhythmen, die er aus alten Kasetten hervorzaubert.

www.myspace.com/jimpermanent

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